Why fact magazine

Ginzburg published, was obscene and could not be sent through the mails. But Mr. After due reflection, he decided to stop publishing Eros , confidently awaiting victory in the courts. Meanwhile, Eros still had a staff of eager workers, a floor of offices near the New York Public Library, and a large number of subscribers who were wondering where their magazine was. Now, for many years Mr. Ginzburg had been thinking of launching another publication, a magazine of dissent, a magazine that would print those articles other magazines are too timid, or too corrupt, to print.

Thanks the the U. Post Office, here was his opportunity. So in late , he and I began sending out brochures for a new muckraking magazine; money flowed in; with the money, Fact was born. One of the assumptions behind the magazine was that advertising overtly and covertly castrates content.

Therefore, Fact would take no advertising. We wanted to be perfectly free to rough up powerful and sacrosanct institutions when they deserved roughing up, and free to explore topics considered taboo by most other magazines and the big advertisers that support them.

A second assumption was that Fact would be a professional magazine, one that profited from the skills of modern journalism. Mencken used to say. Formless, discursive manuscripts, would be organized, preferably around one central theme. Manuscripts written ploddingly would be brightened up and tightened up. Articles in Fact , if they were responsible and cogent enough, did not have to coincide with the views of the editors. But it would not preach political liberalism and practice intellectual totalitarianism.

Finally, there was the assumption embedded in the name itself. It was called Fact because the magazine would concentrate on articles grounded in personal experiences and scientific research. To a degree, this makes their opinions suspect. In Fact , we hoped, all opinions expressed would be corroborated not only by independent research, but by personal, experiential familiarity with the subject. Our expert would be a man who had not only read the leading works on say employment agencies, and who had not only sought out the views of insulated experts, but had also actually worked for an employment agency.

Furthermore, by personalizing articles in this way, we could do what every new magazine, and every new art movement, should do: get closer to current, everyday reality.

Communism, like all forms of totalitarianism, should be condemned and opposed, just as the United States should condemn and oppose all totalitarianism regimes—in Haiti, South Africa, Rhodesia, Spain, Portugal, and Mississippi. And just as we manage to get along with Haiti and South Africa, we must learn to live with China, Cuba, and a communistic Vietnam. For if a country like Vietnam voluntarily casts its lot against us, we must accept that decision—and learn the bitter lesson that our support of dictators like Diem, and now Ky, is self-defeating.

Fact has been trying to explore the underlying reasons behind this obsession, and more important, trying to transform Anti-Communism into plain, ordinary anti-communism. We are, true enough, making headway: Today there is serious talk, for example, of a negative income tax. But when are we going to place the public welfare above such goals as reaching the moon, or being able to kill everyone on earth a few dozen times?

And then there is what A. The cookie is used to store the user consent for the cookies in the category "Performance". It does not store any personal data. Functional Functional. Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features. Performance Performance. Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Analytics Analytics. Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. Advertisement Advertisement. Saying no will not stop you from seeing our ads, but it may make them less relevant or more repetitive. Others Others. Zak, a Swiss-American designer, describes Zak Group as a creative studio that flits between disciplines including graphic design, architecture, web development and visual art.

And a challenge: how do you present sound, moving image and performance in print? The outcome is a response to that question. Bridging the gap between futuristic and analogue, Fact is mash-up of all things music, tech, audio and visual art, and boasts pages of features from the likes of Kelsey Lu, Ryoji Ikeda, Pan Daijing and Kahlil Joseph. The identity enhances the content with great finesse. Working collaboratively, Zak Group brought the Fact team in on the thought process and made sure to involve them in the design process early on.

Culture is Not Cancelled became a call to action to advocate for cooperation and solidarity within the creative community, which we made available as an open-source campaign. Ayla Angelos.